The Ray Mann Three fuse sex appeal with the grit of Tom Waits.
Continue reading “Interview: “Bedroom Riffs” ~ Sydney Morning Herald”
The Ray Mann Three /// Ori Moto
The Ray Mann Three fuse sex appeal with the grit of Tom Waits.
Continue reading “Interview: “Bedroom Riffs” ~ Sydney Morning Herald”
Speaking of being a little out of place, The Ray Mann 3 [sic] were certainly not a usual band to play at the Annandale with their brand of cool funk. It speaks volumes when a band that plays funk with big basslines and in three piece suits can convert such a varied crowd as the Annandale attracts – and they did just that. They were just that mix of entertaining and talented; and most importantly, they were enjoying what they do, which made them simply infectious.
By Bianca O’Neill
Source: Drum Media, Sydney, 27.05.08
“Our debut has been my attempt to write the happiest, or warmest, record I possibly could” ~ Ray Mann speaks to mx Continue reading “Interview: “Debut Album: One Mann, three menn and happy music thoughts” ~ mx Sydney”
I couldn’t have conceived neo-soul outfit [The] Ray Mann Three working in a rock room. I was wrong. They rocked. The extraordinary tightness of this trio created a sound that was bigger than anything played yet. Stripped back and simple lines coupled with Mann’s rhythmic falsetto had a pulsing rawness that made the young Annandale crowd seriously jump around. It just goes to show that this group has what it takes to transcend the barriers defined by genre.
By Donne Restom
Source: Drum Media, Sydney, 03.03.08
Pre-show entertainment at The Vanguard is usually a non-event. Dinner is being served and the rattling and clinking of culinary implements create cymbal-like accents within the cacophonic rabble. Ray Mann begins his solo show with “How Long Has This been Going On”, an exceptionally quiet piece that grabs an unusual bout of attention from his chattering audience. Looking visibly surprised with the response Ray continues on his softly spoken, unassuming tack singing “Just Another Night With You” and the original “Gettin’ Through” with a lyrical clarity that can often be obscured within his usual trio. As the audience buzz rises and falls in accord to the dynamic level of each song, Ray pulls off a difficult spot with simplicity and warmth.
By Donne Restom
Source: Drum Media, Sydney, 09.01.08
“I played the cricket bat like a guitar, and went in to bat with the ukulele in cricket matches with the other kids in my street” ~ interview by Cec Busby
Continue reading “Interview: “Putting the soul into Melt Bar” ~ The Brag, Sydney”
Lots of spunk with a truly fresh spirit… have the ability to propel you into a higher sphere allowing your soul and intellect to waltz into the lofty clouds of the unique…
Continue reading “Review: The Ray Mann Three @ Tonic Lounge 16.10.05 ~ Sydney”